This is an 8 x 10 oil on board – my first attempt at clouds.  I realized that this is the third painting I’ve done of railroad tracks – must be subconscious because I’m certainly going places this summer.

New Watercolor ‘How To Paint’ Article

Currently, I’m working on a new painting project – demonstrating how to paint snow for Watercolor Artist magazine, December’s issue.  (Of course, I’m using my new paper from St. Cuthbert’s Mill in England – I’ll let you know how I like it.)  I’m doing a new video to go along with it.  The painting will be a snowy alley at dawn, with a snow covered  truck and paper boys on their route. 

 Shows Worth Seeing

I would recommend the Portrait Exhibit at the Brandywine Museum in Chadd’s Ford and the Lancaster Art Association in Strasburg, PA  juried exhibit - many interesting pieces of art.  While I was in New York, I took in the Rockwell Western Museum, which I discovered has nothing to do with Norman Rockwell, (but the National Gallery in Washington has an exhibit of Rockwell’s work that lasts until January, so I’ll get to see that, too.)  Being self-taught, I try to see the best art I can, often.  

I’ve been spending a lot of time immersed in learning about oil painting, trying different things, reading about how to paint and seeing great paintings.  It’s a busy summer.    After I get the video and article done, I will be finishing another snow scene for the upcoming Berk’s Art Alliance juried exhibit in Reading, PA and have a commission to paint my dentist’s horses.   Saturday, July 31st, I’ll be one of two judges for the Lititz Outdoor Art Exhibit - another great local show to visit, and this one has free admission.  Hope to see you there.

The Missouri Watercolor Society is doing a great job of promoting watercolor with a beautiful new on-line magazine  called ‘Watercolor Studio’ that’s free.  It has many pages of news about the watercolor world and several articles on how to paint, including one on how I painted the pier painting on the left.   ( My article starts on page 14.)

This week I had watercolor paintings accepted into the Illinois small works juried exhibit and the Colorado juried exhibit.  I received my award from the Baltimore Watercolor Society’s juried exhibition – a full pack of 300 pound cold pressed watercolor paper from St. Cuthbert’s Mill in England.  I can’t wait to paint something wonderful on it.

“Painting Shells with Debi Watson” DVD
Running Length: 42 min.
Price: $14.95

I wanted to do this watercolor painting as a video demonstration, but it didn’t work out, so I’m putting it in as a step-by-step lesson.  Let me know if you think it’s understandable.

This is my drawing.  The grey is Pebeo masking fluid and I applied it on the beach with a toothbrush, trying for a random pattern.   (I got the shadow of my head in the middle, but the rest of the photos I did right…..)

Okay, it seems like I did a lot, but it’s really just a first watercolor wash.  Using a big brush, I did a wash of cobalt blue and  burnt sienna to the sky and the water.

I used cobalt, sienna, quinacridone red and aureolin yellow on the beach, and spattered it with water while it was wet, to make the blotches.  When it was completely dry, I spattered the beach again with  a toothbrush and misket.

I painted the rocks and the beach again, using the same colors, but I added some ultramarine blue to go a little darker, and switched from aureolin yellow to quinacridone gold to jazz it up, spattering the golds into the purpley mix I had going.  I added salt while the watercolor was still wet for more texture.  Now I’ll take off the masking…

Now I start adjusting values.  I put in some dark values in the hair and blue jeans, and a dark shadow on the lower left.  I softened up some the white edges and smudged up some of the far-away rocks.  I start painting the seaweed, or whatever it is, with the quinacridone gold, burnt sienna and other colors.  I lifted out the hard line between the shore and the water.

I decided the rock on the right of the couple was too distracting, so I lifted most of that up, kept softening edges and painting seaweed.

I keep painting the detail.  I am using a smaller brush now.  I think the sky is boring, so I add a wimpy looking storm on the left and put some soft streaks in the water.  I put slightly darker streaks in the water and lift out a few lighter streaks.

Here is the finished painting.  I put some greys in the wave and shadows under the wave.  I added a faraway land on the right and felt that improved the painting’s composition.  I added some crashing waves to the rocks in the left of the ocean, so your eye has a lot to look at.

This is a detail from a watercolor painting I’m currently working on.  The white ice box has had four coats of paint so far, and I’m not done yet.

I usually paint dark areas in one intense watercolor wash, but I carefully inch up on the white areas.  I make puddles of aureolin yellow, quinacridone red and cobalt blue with just the barest hint of color in the water.

I put each color on my paper separately, but let the colors touch one another.  Then I tilt the paper so the colors flow together on the paper and blend a bit.  Hints of warm and cool in your whites will make them come alive  … or turn them into a dingy ice machine on a cold winter day.

Thank you Annapolis Watercolor!

On June 10, I drove to Annapolis to do a one-hour watercolor demonstration.  What hospitality!

The members took me out to dinner at a wonderful restaurant and then to the Maryland Hall For the Creative Arts for their monthly meeting.  I had planned the painting carefully, painted furiously and finished on time.  One member, Tisha, graciously let me stay overnight at her home and if that wasn’t enough, made homemade granola and yogurt for breakfast.  Of course, I gave Tisha the demo.  Thanks, Annapolis, hope you enjoyed it as much as I did.

Upcoming Classes & Workshops

• Aug 10, 11 & 12 Workshop at York Art Association 220 S Marshall St., York PA
• Aug 31 – Sept 4 Workshop at Cheap Joes  in Boone NC (contact edwina@cheapjoes.com)
• Oct 26 – 30 Workshop for Pennsylvania Watercolor Society near Hershey PA

“Fast & Furious” Watercolor Demonstrations

On Tuesdays, I teach two watercolor classes.  Here are two finished watercolor demonstrations of sleeping cats.

In the cat with pots, I showed two ways to get a smooth transition from color to shadow.  I used water to thin out the paint on the right side of the blue pot, using thicker blue paint in the middle of the pot and then black.  On the red pot, I painted just red to black.

After it was dry, I used Mr. Clean’s Magic Eraser to lift out the highlights on the red pot.  The bricks, pots and shadows were done with cobalt blue, quinacridone red and aureolin yellow. It makes great grays when you let it mix on the paper.

To make the green, I used a bit of thalo blue with the yellow and perylene green for the black.  (And a touch of burnt sienna for the cat’s colored areas.)

The Trick Is Not To Overmix The Watercolor

In the second demo, I used all the leftover bits of watercolor on my palette behind the cat, working quickly on dry paper so I got soft blending. Then I used the mixture of the leftover colors to put a strip of blue gray across the bottom.

While that was drying, I went back to cobalt blue, aureolin yellow and quinacridone red for the shadows on the cat, putting the colors down and letting them mix on the paper.

The class said it looked too garish while it was wet.  There lies the trick!  If you let wet washes  alone, they often shape up nicely as they dry.

Then I painted the black face and the ears.  I rubbed the shadow edges with a soft brush and dabbed with a paper towel to soften the edges, and used a few strokes of white for whiskers.  I thought the stripe across the bottom was boring, so I used a stencil to lift out goldfish and painted sweet dreams for this fellow.

Here are two versions of a watercolor demonstration on painting sunsets using a series of washes: a fast version for those of you who only want the basics, and an extended (“relaxed”) version for those of you who want to see the whole thing.

In addition to watercolor paint, you’ll also need watercolor paper (I use 300 lb. Arches cold-press) and misket or Pebeo drawing gum.