It’s ironic – for years I while I was learning to paint with watercolors I was told, “No, no, no!  That’s not how you paint with watercolors.” because I do full color realism, not loose and watery paintings.

Along the way, while I was, according to most teachers, doing things ‘wrong’ I gve myself an education on art in general and came to love the mysterious, loose effects you can easily get with watercolors.

Now, after learning how to paint watercolors ‘wrong’, I’m planning to apply those same concepts to my oil paintings.  You can bet they won’t be traditional oil styles, just what I make up as I go along.  Doing it the wrong way is a lot more fun and your work stands out as totally original, which this oil isn’t, but hey, you’ve got to start somewhere.

P.S. Hard Work Does Pay Off

My daughter, Kelly, is a writer and has had an article accepted by Forbes magazine, click here to see her on their web site.  Congrats, Kelly.

Yesterday I went to the National Gallery in Washington D.C. with friends Vickie Branas and Janet Belich.  Janet was taking photos, so she’s the invisible third party on this trip.

I’m starting some big watercolor paintings with figures, so I wanted to see how the great watercolor artists had done it.  My favorite was the impressionists (and the American portrait painters.)

The modern art in the east building … I just don’t know.  Is a white canvas really art? 

I had been impressed by his watercolor painting, which won “Best of Show” at the Pennsylvania Watercolor Society’s last juried exhibition, and more impressed by Nick himself.

Nick has a video on painting, but there is nothing like seeing the artist actually painting.   I  will drive two or three hours to see a demonstration, as I learn a lot about painting that way.  Some are so-so, but some are beyond great, and Nic’s watercolor demo was exactly that.

What was worth risking my life?

I was supposed to judge an art show at the Goggleworks, but that wasn’t the only reason I was keen to brave the weather.  I wanted to take photos of “small town America” in the snow. I particularly wanted photos of  interesting old buildings that I could use in future watercolor paintings.

After arriving safely, I walked up and down the blocks, taking photos.  Even with my best cold weather clothing, I could only stay out a few minutes before frostbite started nibbling on my fingers and cheeks.  I would run into the Goggleworks to thaw out, then go back out for more.

The wind was bitter and I felt like I was being shot with a pellet gun.  I worried about ruining my camera and tried to stay in the shelter of the buildings, or at least keep my back to the wind.

I’m thrilled with the photos I got.  People were out and about, cleaning off their cars and shoveling their steps.  Lots were going to work—jobs that don’t take snow for an answer.

Anyone can take photos on a nice day, and most watercolor artists do, judging from the number of “nice” watercolor paintings everywhere.  But if you want more life in your watercolor paintings, take photos when life is really happening—wind, rain, sleet or snow.

The worst of times can make the strongest statements

I’m not advising watercolor artists to risk their lives, but this is my dream. I want to capture small town America in compelling watercolor paintings that show the beauty and humanity of  life  here and now.  And I’m going to make it happen, even if it means going the distance.  A dream can be a powerful thing.